Of the three operas I heard at La Fenice last May, the one I will not forget is Bellini’s Norma. When I arrived at La Fenice, all of Venice, it seemed, had crowded into Campo San Fantin in front of the opera house. They were there to honor soprano Mariella Devia, who was singing the title …
New York’s Opera Season Ends (II)
Back to the Met: I’ll let Mr. Tommasini describe the singing (splendid – no disagreement there!). I’ll share my thoughts about several wonderful highlights, including Nico Muhly’s “Two Boys,” a fresh and very modern spooky story set to a lovely score. Muhly writes in a wide-variety of “styles” and I’m especially taken with his choral …