The MET’s Die Frau ohne Schatten Although I’m writing from Berlin (after a fast journey from New York), I’m still basking in the glow of another remarkable performance at the Metropolitan Opera. And—not surprising anyone who knows me—I’m happy to share a few thoughts and my enthusiasm here. At last Wednesday’s performance of Die Frau …
Opera Diary: A Concert for Ukraine at The Metropolitan Opera
In The Metropolitan Opera Supports the People of Ukraine, my March 4 post, I found it very gratifying to share with readers my pride in the work of the Metropolitan Opera Association. Many of you agreed with me, and your responses (both to me and at LinkedIn, where I also share these posts) made that clear. …
Opera Diary: New York’s Opera Season Ends (II)
Back to the Met: I’ll let Mr. Tommasini describe the singing (splendid – no disagreement there!). I’ll share my thoughts about several wonderful highlights, including Nico Muhly’s “Two Boys,” a fresh and very modern spooky story set to a lovely score. Muhly writes in a wide-variety of “styles” and I’m especially taken with his choral …