The MET’s Die Frau ohne Schatten Although I’m writing from Berlin (after a fast journey from New York), I’m still basking in the glow of another remarkable performance at the Metropolitan Opera. And—not surprising anyone who knows me—I’m happy to share a few thoughts and my enthusiasm here. At last Wednesday’s performance of Die Frau …
“Turandot” Returns Triumphantly to the Met
The Met’s Final Dress Rehearsals are one of the great pleasures at New York’s opera house, and none I’ve ever attended has disappointed. The idea is, of course, that it is a rehearsal, but it is after all referred to as “final.” So at this point, the show is ready, and despite occasional comments from …
A “Tannhäuser” to Remember
We opera goers often find ourselves using the term “unforgettable.” In New York, the idea took on an even more special meaning last Thursday night. Many of us were at the Metropolitan Opera for the first performance of the revival of Wagner’s Tannhäuser, not heard here for a few years . I’m a big fan …
Milan: Cimitero Monumentale
During last spring’s Milan visit, Sandra Kitt and I had an afternoon at the city’s Cimitero Monumentale. This impressive urban space is one of the city’s two largest cemeteries (the other being the Cimitero Maggiore), and both were created to provide an alternative to the many small cemeteries located throughout the city. Designed by the …
Opera Diary: A Concert for Ukraine
In Brief. Last Friday, the Metropolitan Opera gave us another example of why – for so many of us – this splendid musical organization plays such an important role in the “community” that many of us belong to. Despite its size and the Metropolitan Opera Association’s specific cultural function, there are special occasions that bring …
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